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W\u0142osy jasnobr\u0105zowe, z przedzia\u0142kiem po \u015brodku, u g\u00f3ry \u0026nbsp;g\u0142adko przylegaj\u0105 do g\u0142owy, ku do\u0142owi opadaj\u0105 w puszystych po\u0142yskliwych lokach. Szyj\u0119 zakrywa czerwonawo-br\u0105zowa chusta (jedwabna?) ze z\u0142otawym nik\u0142ym szlaczkiem, na ramionach br\u0105zowa szata z po\u0142yskliwej materii (jakby by\u0142a zmarszczona przy szyi) udrapowana \u0026nbsp;w nier\u00f3wne mi\u0119kko si\u0119 uk\u0142adaj\u0105ce fa\u0142dy. T\u0142o zielonkawo-br\u0105zowe, ch\u0142odne, rozja\u015bnione nieznacznie po prawej. \u0022Ca\u0142o\u015b\u0107 jest bardzo kunsztownym popisem zdolno\u015bci kolorystycznych i charakterystyki psychologicznej\u0022 (Janina Ruszczyc\u00f3wna \u0026nbsp;w 1970 na karcie obiektu). \u0026nbsp;Na odwrocie p\u0142\u00f3tna, po prawej u do\u0142u czarn\u0105 farb\u0105 sygnatura artysty: \u0022D.Schultz f.\u0022","publicDescriptions":[{"text":"Portret m\u0142odego m\u0119\u017cczyzny, a raczej m\u0142odzie\u0144ca (jak si\u0119 wydaje najwy\u017cej 20-letniego), jest dzie\u0142em gda\u0144skiego malarza Daniela Schultza (ca 1615-1683), cenionego artysty, kt\u00f3ry \u0026#160;jako portrecista pozostawa\u0142 na s\u0142u\u017cbie kr\u00f3l\u00f3w polskich Jana Kazimierza Wazy, Micha\u0142a Korybuta Wi\u015bniowieckiego i Jana III Sobieskiego. Obraz ma na odwrocie p\u0142\u00f3tna napis czarn\u0105 farb\u0105: \u0022D.Schultz f.\u0022, kt\u00f3ry, ze wzgl\u0119du na podobie\u0144stwo pisma z napisem na portretach Libstejnskich w Rychnowie, uznano za sygnatur\u0119 artysty. Kim jest przedstawiony m\u0142odzieniec, nie uda\u0142o si\u0119 ustali\u0107. Istnieje przypuszczenie, ze jest to autoportret Schultza (Ruszczyc\u00f3wna, Steinborn 2004, s. 41, 128). \u0026#160;Gdyby tak by\u0142o, to portret nale\u017ca\u0142oby datowa\u0107 na lata 1635- 40, natomiast fryzura m\u0142odzie\u0144ca (z przedzia\u0142kiem po \u015brodku i \u0026#160;swobodnie opadaj\u0105cymi do ramion lokami) odpowiada modzie po II po\u0142owy XVII w., \u0026#160;(por. mdzrt J.Falcka przedstawiaj\u0105cy Jakuba Stuve\u0027a z 1659; A.Stecha portrety Johanna G. Schmiedta z 1678 czy Gabriela Friedricha Schumanna z 1685, wszystkie w zbiorach MNGd, reprodukowane \u0026#160;w katalogu \u0022Aurea Porta Rzeczypospolitej\u0022, Gda\u0144sk 1997, s.119, 161, 162).\u003Cbr \/\u003E\r\n\u0026#160;Zwraca uwag\u0119 doskona\u0142o\u015b\u0107 warsztatu malarskiego, wy\u0142aniaj\u0105ca si\u0119 z mroku delikatna twarz m\u0142odzie\u0144ca, spogl\u0105daj\u0105cego uwa\u017cnie na widza, modelowana jest rozproszonym ch\u0142odnym \u0026#160; \u015bwiat\u0142em padaj\u0105cym od lewej z g\u00f3ry. Blada cera i zielonkawe t\u0142o portretu nie k\u0142\u00f3c\u0105 si\u0119 optycznie z utrzymanymi w ciep\u0142ej gamie br\u0105z\u00f3w lokami i (niepolskim) str\u00f3jem modela. \u0022Ca\u0142o\u015b\u0107 jest bardzo kunsztownym popisem zdolno\u015bci kolorystycznych i charakterystyki psychologicznej\u0022 (Janina Ruszczyc\u00f3wna \u0026#160;w 1970 na karcie obiektu). mo.","author":null,"copyright":null,"event":null,"position":null}],"bibliography":[{"id":129134,"text":"Kozakiewicz Stefan, Sroczy\u0144ska Krytysna, \u003Cspan class=\u0022bibliography-title\u0022\u003ELa peinture polonaise du XVIe au d\u00e9bur du XXe siecle. Catalogue du Mus\u00e9e National de Varsovie\u003C\/span\u003E, rozdz.: nr 862, Warszawa, 1979.","permalink":null},{"id":131146,"text":"Leeuw R.de, Thijssen L., \u003Cspan class=\u0022bibliography-title\u0022\u003EZwi\u0105zki mi\u0119dzy Holandia i Polsk\u0105 w XVI i XVII wieku. Katalog wystawy\u003C\/span\u003E, rozdz.: uzupe\u0142nienie do katalogu nr J., Gda\u0144sk: Muzeum Morskie w Gda\u0144sku, 1978.","permalink":null},{"id":128084,"text":"Bo\u017cena Steinborn, \u003Cspan class=\u0022bibliography-title\u0022\u003EMalarz Daniel Schultz. Gda\u0144szczanin w s\u0142u\u017cbie kr\u00f3l\u00f3w polskich\u003C\/span\u003E, rozdz.: kat. 19 s. 128-9, Warszawa: Zamek Kr\u00f3lewski w Warszawie, 2004.","permalink":null},{"id":127952,"text":"Malinowski J., \u003Cspan class=\u0022bibliography-title\u0022\u003EGdzie Wsch\u00f3d spotyka Zach\u00f3d. Portret osobisto\u015bci dawnej Rzeczypospolitej 1576-1763\/ exh. cat.Muzeum Narodowe w Warszawie\u003C\/span\u003E, rozdz.: poz. 188 (J. Gajewski), Warszawa, 1993.","permalink":null},{"id":129269,"text":"Gradowska Anna, Sroczy\u0144ska Krystyna, Kozakiewicz Stefan, \u003Cspan class=\u0022bibliography-title\u0022\u003EMuzeum Narodowe w Warszawie. Galeria Sztuki Polskiej. Malarstwo polskie od XVI do pocz\u0105tku XX wieku. Katalog\u003C\/span\u003E, rozdz.: poz.874, s.330, Warszawa: wyd. II, 1975.","permalink":null},{"id":356797,"text":"J. Malinowski, \u003Cspan class=\u0022bibliography-title\u0022\u003EWhere East meets West. Portrait of Personages of the Polish - Lithuanian Commonwealth (1576 - 1763)\u003C\/span\u003E, Warszawa, 1993, il. 188.","permalink":null}],"bibliographyMNK":[],"participationEvents":[{"id":348732,"name":"CMNW na platformie dMuseion","dateFrom":"2011-05-12","dateTo":"2020-10-15","comment":null,"contractors":[]},{"id":226142,"name":"Gdzie Wsch\u00f3d spotyka Zach\u00f3d. 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