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Problemy zdrowotne nie pozwoli\u0142y mu na po\u015bwi\u0119cenie si\u0119 pracy rze\u017abiarskiej. Pastel sta\u0142 si\u0119 dominuj\u0105cym medium w jego tw\u00f3rczo\u015bci, stosowa\u0142 jednak r\u00f3wnie\u017c inne techniki rysunkowe, malarskie i graficzne. Zafascynowany tw\u00f3rczo\u015bci\u0105 Stanis\u0142awa Wyspia\u0144skiego, dzie\u0142ami Wita Stwosza i folklorem podhala\u0144skim, szuka\u0142 \u017ar\u00f3de\u0142 inspiracji w romantycznej literaturze i muzyce, d\u0105\u017c\u0105c do wskrzeszenia romantycznej idei \u201ekorespondencji sztuk\u201d. W 1905 roku utworzy\u0142 z Witoldem Wojtkiewiczem, Vlastimilem Hofmannem, Mieczys\u0142awem Jakimowiczem i Leopoldem Gottliebem - Grup\u0119 \u201ePi\u0119ciu\u201d. Cz\u0142onkowie formacji od\u017cegnywali si\u0119 od wiernego na\u015bladownictwa natury i zmierzali w stron\u0119 wyra\u017cania uczu\u0107 i emocji. Rembowski by\u0142 artyst\u0105 o wra\u017cliwym, poetyckim usposobieniu. Jako gor\u0105cy patriota pragn\u0105\u0142 uczestniczy\u0107 w walce o niepodleg\u0142o\u015b\u0107 Polski, jednak gru\u017alica uniemo\u017cliwi\u0142a mu wst\u0105pienie w szeregi Legion\u00f3w. Powinno\u015b\u0107 patriotyczn\u0105 wype\u0142nia\u0142 sw\u0105 zaanga\u017cowan\u0105 politycznie tw\u00f3rczo\u015bci\u0105. Malowa\u0142 portrety i sceny symboliczne, kt\u00f3rych bohaterami byli najcz\u0119\u015bciej Legioni\u015bci. Tematyka s\u0142u\u017cby ojczy\u017anie wype\u0142nia\u0142a jego tw\u00f3rczo\u015b\u0107 pocz\u0105wszy od 1914 roku. W jego pracach cz\u0119sto pojawia\u0142 si\u0119 motyw heroicznego pochodu m\u0142odzie\u017cy rw\u0105cej si\u0119 do czynu w obronie ojczyzny, rytmicznego marszu \u017co\u0142nierzy czy g\u00f3rali. Temat wymusza\u0142 wyd\u0142u\u017con\u0105 kompozycj\u0119, kt\u00f3ra nawi\u0105zywa\u0142a do p\u0142askorze\u017abionych fryz\u00f3w architektonicznych. Rembowski, czuj\u0105cy \u015bwietnie formy rze\u017abiarskie, w tw\u00f3rczo\u015bci malarskiej operowa\u0142 pewn\u0105 kresk\u0105, budowa\u0142 kompozycje w spos\u00f3b reliefowy, si\u0119ga\u0142 po ostr\u0105, surow\u0105 kolorystyk\u0119, pot\u0119gowa\u0142 emocje, zestawiaj\u0105c kontrastowe barwy.\u003Cbr \/\u003E\r\nObraz \u201eUchod\u017acy\u201d ze wzgl\u0119du na du\u017cy format , technik\u0119 olejn\u0105 i tematyk\u0119 jest dzie\u0142em wyj\u0105tkowym w spu\u015bci\u017anie Rembowskiego. Monumentalna kompozycja poprzedzona szkicem, kt\u00f3ry zachowa\u0142 si\u0119 w zbiorach MNW, mia\u0142a mie\u0107 r\u00f3wnie\u017c swoj\u0105 realizacj\u0119 w technice witra\u017cowej. Rembowski stworzy\u0142 te dzie\u0142a w latach 1914-16 z my\u015bl\u0105 o projektowanym w Krakowie lub w Warszawie mauzoleum Legion\u00f3w Polskich. Rozbudowana kompozycja witra\u017cowa, b\u0119d\u0105ca alegori\u0105 odrodzenia, zatytu\u0142owana zosta\u0142a \u201eWojna i pok\u00f3j\u201d. Sk\u0142ada\u0107 si\u0119 mia\u0142a z czterech kwater, z kt\u00f3rych najni\u017csza po\u015bwi\u0119cona zosta\u0142a wojennym losom ludno\u015bci cywilnej. Zachowany w zbiorach MNK (nr inw. MNK III-r.a13392) projekt dolnej kwatery witra\u017ca o wymiarach 890 x 288 cm ukazuje grup\u0119 zrozpaczonych ludzi w momencie przeprawy przez uszkodzony most. P\u0142\u00f3tno jest dok\u0142adnym powt\u00f3rzeniem kompozycji z projektu witra\u017ca. Artysta nada\u0142 obrazowi tytu\u0142 \u201eKrucjata dzieci\u0119ca\u201d, o czym \u015bwiadczy napis na odwrocie p\u0142\u00f3tna. Pod tym tytu\u0142em wystawiony zosta\u0142 na po\u015bmiertnej wystawie zorganizowanej w 1923 roku w Towarzystwie Zach\u0119ty Sztuk Pi\u0119knych. Obraz mo\u017cna odczyta\u0107 na wiele sposob\u00f3w. Podczas wystawy \u201eKrzycz\u0105c: Polska!\u201d zorganizowanej w MNW z okazji 100-lecia odzyskania niepodleg\u0142o\u015bci, interpretowany by\u0142 jako przedstawienie kryzysu uchod\u017aczego rozgrywaj\u0105cego si\u0119 na terenie Galicji w 1915 roku. \u0141adunek emocjonalny, jaki artysta zawar\u0142 w scenie przeprawy przez most dzieci i ich rodzin, z trudno\u015bci\u0105 chroni\u0105cych si\u0119 przed wpadni\u0119ciem w otch\u0142a\u0144 wody, czyni go bardzo przejmuj\u0105cym. Wra\u017cenie niepokoju wzmaga u\u017cycie intensywnej kolorystyki na bazie pochodnych czerwieni i fioletu. Rembowskiemu uda\u0142o si\u0119 odda\u0107 tak sugestywnie t\u0119 scen\u0119, \u017ce niemal\u017ce s\u0142ycha\u0107 lament i nawo\u0142ywania rodzin, stukot k\u00f3\u0142 wozu, szum rzeki i pioruny nadci\u0105gaj\u0105cej burzy. G\u0119sto zbity t\u0142um ukazany w p\u0142ytkiej perspektywie przypomina sw\u0105 kompozycj\u0105 symboliczne obrazy Arnolda B\u00f6cklina z 1889 i 1892 roku zatytu\u0142owane \u201eWalka na mo\u015bcie\u201d.\u003Cbr \/\u003E\r\nBezimienny t\u0142um zawieszony mi\u0119dzy niewielkim skrawkiem nieba a tafl\u0105 rzeki, z determinacj\u0105 pod\u0105\u017caj\u0105cy ku bezpiecznemu \u0026#160;\u015bwiatu, po up\u0142ywie ponad 100 lat od powstania obrazu nabra\u0142 wsp\u00f3\u0142czesnej symboliki uchod\u017actwa, przejmuj\u0105co aktualnej.\u003Cbr \/\u003E\r\n\u003Cbr \/\u003E\r\n[Renata Higersberger]","author":null,"copyright":null,"event":null,"position":null}],"bibliography":[],"bibliographyMNK":[],"participationEvents":[{"id":348732,"name":"CMNW na platformie dMuseion","dateFrom":"2011-05-12","dateTo":"2020-10-15","comment":null,"contractors":[]}],"connections":[],"articles":[{"attachment":{"id":3468,"filePath":"\/uploads\/media\/MP_4621_MNW_uchodzcy.pdf","fileSize":710034,"extension":"pdf","formFeature":3,"iframeSource":null,"iframeHtml":null},"attachmentPeriod":"pocz\u0105tek XX w.","attachmentLanguage":"polski","targetGroups":[2,4],"id":454,"title":"\u003Cp\u003EJan Rembowski, Uchod\u017acy, 1915\u003C\/p\u003E","authors":[],"creators":[{"id":29172,"name":"Rembowski, Jan (1879-1923)"}],"quote":null,"quoteVisible":false,"shortDescription":null,"publicationDate":"2023-12-12","category":4,"templateName":"Materia\u0142 edukacyjny","color":"#c4bc00","titleColor":"#ffffff","image":{"id":3467,"filePath":"\/uploads\/media\/Uchodzcy.jpg","extension":"jpg","altText":null,"fileName":null},"keywords":[{"id":209220,"name":"Towarzystwo Zach\u0119ty Sztuk Pi\u0119knych (Warszawa ; 1860-1940) - kolekcja"},{"id":176801,"name":"M\u0142oda Polska (styl)"},{"id":204335,"name":"uchod\u017acy"}],"liked":false,"likesNumber":0,"slug":null,"articleTypes":[],"cycles":[]}],"imageDesktop":null,"imageTablet":null,"imageMobile":null,"dialectalTerms":[],"programmesParticipation":[],"editionNumber":null,"wwwDescriptionSimplified":null,"wwwDescriptionAutism":null,"wwwDescriptionAd":null,"dimensionTextWithDuration":null,"creditLine":null,"editionData":[],"dictionaryZoologicalSystematicsDTO":null,"rarity":null,"archeoPeriods":[],"theatricalItems":null,"archaeologicalSite":null,"catalogNumber":null,"specificDimensionDescription":"200 x 284 [226,2 x 313,8 x 8]","history":null,"originSignatures":null,"originSubtitles":null,"archetype":null,"watermarks":[],"issuers":[],"virtualExhibitionSlides":[],"originalCreateDate":null,"fillCardDate":null,"exhibitionLabelContent":null,"placeObject":null,"carrierDate":null,"transcription":null,"objectCardType":null,"duration":null,"objectCategory":[],"artworkPersons":[],"ageRating":null,"artworkLocations":[],"timerRanges":[],"chronologicalRecordingRanges":[],"eCollections":[],"objectTags":[],"camps":[],"createdAt":"2022-11-03 00:00:00","updatedAt":"2025-09-11 11:04:45","chronology":null,"ar":null,"zone":null,"room":null,"plotNumber":null,"plot":null,"quarter":null,"meter":null,"archeoExcavations":[],"archeoItems":[],"archeoLayers":[],"processingContractors":[],"reportCaseDate":null,"isImprintPresent":false,"copyEdition":null,"tracesOfUses":[],"printsCondition":[],"coinsCondition":[],"rulers":[],"mints":[],"imprints":[],"historicalExtraNumbers":[],"oldCreatorAttributions":[],"provenances":[],"precedentMuseumObjectId":null,"precedentInventoryNumber":null,"shareMuseumObjectMultimediaEnabled":false,"reserveExhibitionEnabled":false,"objectCardDownloadCount":1,"fullMultimediaDownloadCount":0,"archeoMap":{"longitude":null,"latitude":null},"publicationDate":"2023-12-11","armsComments":null,"epigraphicPlateDecorations":null,"epigraphicPlateStateRate":null,"epigraphicPlateText":null,"epigraphicPlateTranslation":null,"genealogy":null,"sourcesAndLinks":null,"inscriptionFieldSizeAndFormHeight":null,"inscriptionFieldSizeAndFormWidth":null,"upperHelpPlateHeight":null,"upperHelpPlateWidth":null,"bottomHelpPlateHeight":null,"bottomHelpPlateWidth":null,"helpPlateSashHeight":null,"helpPlateSashWidth":null,"letterCase":null,"surnameLetterCase":null,"litteringType":null,"bottomHelpPlateForm":null,"helpPlateSashForm":null,"inscriptionFieldSizeAndFormForm":null,"upperHelpPlateForm":null,"arms":[],"typeOfWriting":null,"epigraphicPlateNumberAccordingToPlan":null,"filmmakers":[],"filmCasts":[],"brandModels":[],"genres":[],"filmStockTypes":[],"filmWidths":[],"literaryBasis":null,"premiereDateComment":null,"filmLength":null,"filmRollNumber":null,"annotation":null,"journalIssueNumber":null,"orderOfRelease":null,"publicationAddress":null,"series":null,"signatures":null,"documentType":null,"eventPlace":null,"eventType":null,"exhibitionCurator":null,"projectAuthor":null,"publicationType":null,"publisherName":null,"publicationDateFrom":null,"publicationDateTo":null,"eventYear":null,"associatedCreators":[],"standardizedNumber":null,"publicationYear":null,"publicationLanguage":null,"notes":null},"status":200,"message":null}