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Niem\u0142ody m\u0119\u017cczyzna ukazany w p\u00f3\u0142postaci siedz\u0105cy za sto\u0142em, zwr\u00f3cony lekko w lewo, ogl\u0105daj\u0105cy przy \u015bwietle \u015bwiecy uniesiony mi\u0119dzy palcami prawej d\u0142oni r\u00f3\u017cowo-fioletowy kamie\u0144. Twarz szczup\u0142a \u0026nbsp;o wypuk\u0142ych oczach, wysokim wy\u0142ysia\u0142ym czole, d\u0142ugim nosie, pe\u0142nych wargach \u0026nbsp;podkr\u0119canych w\u0105sach i p\u0119dzelkowatej br\u00f3dce, p\u00f3\u0142d\u0142ugich w\u0142osach br\u0105zowo-siwych opadaj\u0105cych w puklach. Na g\u0142owie \u0026nbsp;r\u00f3\u017cowo-szara mycka. Pobru\u017cd\u017cona twarz jasno o\u015bwietlona od p\u0142omienia \u015bwiecy, od lewej. Brwi krzaczaste, du\u017ce niebieskie oczy za\u0142zawione, zwr\u00f3cone w lewo\u0026nbsp; du\u017cy nos lekko garbkowaty, podkr\u0119cane w\u0105sy, d\u0142ugi p\u0119dzel brody, zarost przes\u0142ania usta, widoczna tylko dolna pe\u0142na warga.\u0026nbsp; \u0026nbsp;Ubrany w kraciasty szaro-zielonkawy szlafrok, za\u0142o\u017cony na bia\u0142\u0105 koszul\u0119 o uniesionym ko\u0142nierzyku podwi\u0105zanym czarnym fularem. Lewa d\u0142o\u0144 \u0026nbsp;spoczywa na stole ujmuj\u0105c wag\u0119 dwuszalkow\u0105. Na prostok\u0105tnym blacie sto\u0142u le\u017c\u0105 rozsypane monety, no\u017cyczki do przycinania \u015bwiec, pier\u015bcionek, z\u0142ota obr\u0105czka, bransoletka \u0026nbsp;z pere\u0142, spinka do krawata z per\u0142\u0105, otwarte \u0026nbsp;pude\u0142eczko z ma\u0142ymi odwa\u017cnikami oraz n\u00f3\u017c, skibka chleba, dwa kawa\u0142ki kie\u0142basy le\u017c\u0105ce na kartce papieru, szklanka i karafka z wod\u0105. T\u0142o zielono-brunatne, g\u0142adkie.","publicDescriptions":[{"text":"\u003Cp\u003E\u003Cem\u003ELichwiarz przy \u015bwiecy \u003C\/em\u003EFeliksa P\u0119czarskiego (1804-1862)\u0026#160; jest autorsk\u0105 replik\u0105, nieznacznie\u0026#160; zmienion\u0105, obrazu \u003Cstrong\u003E\u003Cem\u003ETonini Lichwiarz warszawski,\u003C\/em\u003E\u003C\/strong\u003E\u0026#160; z r. 1844 (Muzeum Narodowe w Poznaniu, inw. Mp 1469 ). Ukazuje lichwiarza, w zaciszu domowym (ma na sobie szlafrok i myck\u0119 do spania) ogl\u0105daj\u0105cego\u0026#160; przy \u015bwiecy pi\u0119kny kamie\u0144, (czy raczej z\u0142ot\u0105 monet\u0119) przy stole za\u0142o\u017conym drogimi\u0026#160; przedmiotami\u0026#160; przyj\u0119tymi w zastaw. W\u015br\u00f3d monet i bi\u017cuterii czeka\u0026#160; kolacja,\u0026#160; dwa kawa\u0142ki kiszki, p\u00f3\u0142 bochenka chleba, karafka z wod\u0105 i szklanka. Pierwowz\u00f3r z Poznania\u0026#160; ukazuje lichwiarza w jedwabnym szlafroku w turecki wz\u00f3r,\u0026#160; na st\u00f3\u0142 wspina si\u0119\u0026#160; pies.\u0026#160;Przed zdublowaniem p\u0142\u00f3tna (zapewne w Galerii Ermita\u017cu podczas II wojny \u015bwiatowej)\u0026#160; widoczny by\u0142 napis na odwrocie\u0026#160;\u0022\u00f3wczesna cena 360 z\u0142p | Malowa\u0142 3te obrazy | Feliks P\u0119czarski | 1845\u0022 . P\u0119czarski\u0026#160; z upodobaniem przedstawia\u0142\u0026#160; lichwiarzy, karciarzy, pij\u0105cych, szuler\u00f3w, postacie z marginesu.\u0026#160;Ten rodzaj temat\u00f3w by\u0142 echem\u0026#160; rodzajowych przedstawie\u0144 XVII-wiecznego malarstwa holenderskiego, ciesz\u0105cego si\u0119 uznaniem\u0026#160; mieszcza\u0144stwa\u0026#160; w 1 po\u0142owie XIX w. P\u0119czarski by\u0142 g\u0142uchoniemy, i to zapewne wp\u0142ywa\u0142o na wyostrzenie jego obserwacji\u0026#160; ludzkich twarzy, kt\u00f3rych mimik\u0119 oddawa\u0142 z niezwyk\u0142ym realizmem. Nie bez znaczenia jest jego znajomo\u015b\u0107 popularnych\u0026#160; francuskich\u0026#160; grafik\u0026#160; Louis Leopolda Boilly (1761-1845),\u0026#160;\u0026#160;wyobra\u017caj\u0105cych\u0026#160;\u0026#160;satyryczno-karykaturalne ludzkie fizjonomie. (Recueuil des Grimaces, ok.1820-23). Obraz Lichwiarz przy \u015bwiecy nale\u017ca\u0142 w XIX w. do pra\u0142ata Ignacego Lasockiego (1860-1933), wybitnego p\u0142ockiego filantropa, kt\u00f3ry sprzeda\u0142 go MNW w 1919, na \u015brodki utrzymania za\u0142o\u017conej przez siebie ochronki dla sierot.\u0026#160; m.ochnio11.V.26\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026#160;\u003C\/p\u003E","author":null,"copyright":null,"event":null,"position":null}],"bibliography":[{"id":127530,"text":"Sienkiewicz Jerzy, \u003Cspan class=\u0022bibliography-title\u0022\u003EKatalog Galerii Malarstwa Polskiego\u003C\/span\u003E, rozdz.: s. 56, nr 230, Warszawa: Muzeum Narodowe w Warszawie, 1938.","permalink":null},{"id":134161,"text":"Lorentz Stanis\u0142aw, Kozakiewicz Stefan, \u003Cspan class=\u0022bibliography-title\u0022\u003ESztuka warszawska od \u015bredniowiecza do po\u0142owy XX wieku\u003C\/span\u003E, t. II, rozdz.: s.215 nr 568 (o pierwowzorze z 1844), Warszawa, 1962.","permalink":null},{"id":124282,"text":"Krystyna Sroczy\u0144ska, \u003Cspan class=\u0022bibliography-title\u0022\u003ESzedevry polskoj \u017civopisi XIX- nacza\u0142o XX wieka. Iz sobranij polskih muziejev. Mosva Mane\u017c - kwiecie\u0144 1974. Mi\u0144sk- lipiec, sierpie\u0144 1974\u003C\/span\u003E, rozdz.: s.92. nr 215, Moskwa, 1974.","permalink":null},{"id":127667,"text":"Sienkiewicz Jerzy, \u003Cspan class=\u0022bibliography-title\u0022\u003EMalarstwo warszawskie pierwszej po\u0142owy XIX wieku: pami\u0119tnik wystawy : wystawa zorganizowana z inicjatywy Oddzia\u0142u Warszawskiego Polskiego Zwi\u0105zku Historyk\u00f3w Sztuki : lipiec-wrzesie\u0144 1936\u003C\/span\u003E, rozdz.: s.77, nr 109, Warszawa: Instytut Propagandy Sztuki, 1936.","permalink":null},{"id":129357,"text":"Kozakiewicz Stefan, \u003Cspan class=\u0022bibliography-title\u0022\u003EWarszawskie wystawy sztuk pi\u0119knych w latach 1819-1845\u003C\/span\u003E, Wroc\u0142aw: Wydawnictwo Zak\u0142adu Narodowego im.Ossoli\u0144skich, 1952, s. 282, il. LXI, poz. 28.","permalink":null},{"id":124283,"text":"Piotr Nowakowski, \u003Cspan class=\u0022bibliography-title\u0022\u003EFeliks P\u0119czarski. Wystawa monograficzna\u003C\/span\u003E, rozdz.: kat. 14 i il. (s.nlb), W\u0142oc\u0142awek: Muzeum Ziemi Kujawskiej i Dobrzy\u0144skiej we W\u0142oc\u0142awku, 1990.","permalink":null},{"id":355739,"text":"dr Beata Purc-St\u0119pniak, \u003Cspan class=\u0022bibliography-title\u0022\u003EEseje i noty. Grzech. Obrazy grzechu w sztuce europejskiej od XV do pocz\u0105tku XX wieku\u003C\/span\u003E, Gda\u0144sk: Muzeum Narodowe w Gda\u0144sku, 2015, s. 359, poz. 266.","permalink":null},{"id":355814,"text":"Ewa Micke-Broniarek, \u003Cspan class=\u0022bibliography-title\u0022\u003EMalarstwo polskie. Realizm, naturalizm\u003C\/span\u003E, Warszawa: Wydawnictwo Arkady, 2005, s. 76, 101.","permalink":null},{"id":355815,"text":"Agnieszka \u015awi\u0119tos\u0142awska, \u003Cspan class=\u0022bibliography-title\u0022\u003EFeliks P\u0119czarski. 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