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Kopiowa\u0142 jego dzie\u0142a, wzorowa\u0142 si\u0119 na sztuce w\u0142oskiego mistrza zar\u00f3wno w kompozycji obraz\u00f3w, jak i w sposobie malowania oraz, co najbardziej charakterystyczne, w skupieniu uwagi na luministycznych warto\u015bciach malarstwa. Stosowa\u0142 r\u00f3wnie\u017c podobn\u0105 technik\u0119 pracy \u2013 w plenerze wykonywa\u0142 jedynie szkice i dagerotypy, kt\u00f3re s\u0142u\u017cy\u0142y mu za wz\u00f3r p\u00f3\u017aniejszych kompozycji tworzonych w pracowni. Zaleski wielokrotnie przedstawia\u0142 na p\u0142\u00f3tnie klasycystyczny pa\u0142ac w \u0141azienkach, dawn\u0105 letni\u0105 rezydencj\u0119 kr\u00f3la Stanis\u0142awa Augusta. Tym razem uj\u0105\u0142 j\u0105 od po\u0142udnia, od strony Amfiteatru. Po prawej stronie wida\u0107 cz\u0119\u015b\u0107 widowni, po lewej skraj sceny i orkiestronu po\u0142o\u017conych na sztucznej wyspie. W tle g\u00f3ruje bry\u0142a pa\u0142acu. 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